A analysis of walt whitmans poem crossing brooklyn ferry

Crossing brooklyn ferry shmoop

This journey of the spirit can take place easily in a universe which is harmonious and well adjusted. This section, and the poem, culminates in a final stanza where Whitman uses the pronoun "we" for the first time, as if reader and writer have finally been joined together, but also literally referring to how the passengers are seeing, at last, those on the shore who are waiting for them: You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside-we plant you permanently within us, We fathom you not-we love you-there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul. In a joyous tribute to his ferry trip, he lists all the different components of his environment and commands each one to keep doing what it is doing. He says he is projecting himself into the future in order to tell us about this nice ferry crossing. Walt Whitman. Then, as if confessing, he pours out all the evil things he has done: lying, adulterous thoughts, and so on. Distinguishing oneself from the mobs of society can be next to impossible when every other human is competing for the same recognition with their own similar accomplishments. In the 10th verse, he exclaims that nothing is more beautiful or admirable than his view of stately Manhattan from his ferry. He sees the clouds and the setting sun reflected there, and he addresses them as "you," as he will address many other things in the poem. Wordsworth accompanies his sister, and is able to take delight in seeing her repeat his experience. Kummings, Donald D. When Emerson praised the first edition of Leaves of Grass, Whitman reprinted the letter and kept it with him for years. Several images in the poem suggest notions of a life and death cycle. The circle in the water is his head, the reader's head, and the sun itself at the same time, and so the experience of looking into the water is both great and small. Man, in Whitman's world, while overcoming the duality of the universe, desires fusion with the spirit.

In the final line, Whitman refers to "the soul," as if there were only one, without ownership i. In section 7, the poet, addressing his reader, says: "Closer yet I approach you. Reprint, New York: P.

A analysis of walt whitmans poem crossing brooklyn ferry

Ultimately, Whitman makes "Crossing Brooklyn Ferry" universal by emphasizing the inherent and enduring connection between man and nature. In accordance with his signature style, Whitman wrote "Crossing Brooklyn Ferry" in free-verse. In like manner it abolishes time and space" p. The things that gave him pleasure were in fact the sensory pleasures. Whitman probes into the future and identifies himself with persons who will cross the river "a hundred years hence. The poet, in section 5, poses a question about the relationship between himself and the generations to come. Two years later he described another trip in detail in the tenth installment of "Letters from a Travelling Bachelor" in the December issue of the New-York Sunday Dispatch. These things have been waiting for us to perceive them in the right way. In the end Whitman seems to give more credence to shared experience than Coleridge does. The description of the journey on the river is very vivid. This idea pervades Whitman's work, and here he joins it to an obliteration of time in the face of common origins the "float" and common experience. It makes no difference, he says. He, too, "felt the curious abrupt questionings" stir within him. He's all, "What's a couple hundred years between friends?

This is one of several "split" images in the poem representing both the speaker and the crowds from whom he feels distanced. It is in the third section that the first of two central images of the poem are established, the seagulls: Watched the Twelfth-month sea-gulls, saw them high in the air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, He commands the river to keep flowing, the waves to keep frolicking, and the clouds to drench him with their splendor.

He describes a late afternoon "jaunt" to watch a summer sunset from the top of its walls and says: A hundred years hence, I often imagine, what an appearance that walk will present, on a fine summer afternoon! He says that nothing, not even the "Gods," could be as amazing as the view he has from the deck of the ferryboat.

to the ferry poem

The future becomes present and present becomes past. He gives equal weight to both natural and manmade images in this section, noticing the "numberless masts of ships" as well as "the swift current.

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SparkNotes: Whitman’s Poetry: “Crossing Brooklyn Ferry”